https://youtu.be/z7pGzdFjC_8?si=yGamQdC_TsMRXKkh
There is no question that Willy Tea Taylor’s life as a singer/songwriter was predetermined – his role realized the moment he wrote his first song. His inspirations drawn from two separate wells; Living the life of a cattleman’s kid and experiencing true visionaries music like Greg Brown, John Hartford, and Guy Clark. The image of Guy Clark and friends sitting around the kitchen table loaded with ashtrays full of butts, half-smoked cigarettes, food, and booze on one Christmas Eve in 1975 burned into Taylor’s soul. Those guys, swapping songs without pretence, lit Willy Tea’s fire. And ever since, its led purpose with passion – finding a hang by curating relationships through musical friendships that get him closer to his own Clark style kitchen table.
From his early days co-fronting The Good Luck Thrift Store Outfit, to singing solo in countless cowboy bars, to pitching countless wiffle ball games, Willy Tea has never lost the vision. Now Willy Tea Taylor has taken his vision of the “hero hang” on the road. and his talented traveling band The Fellership is made up of his fantastically talented buds who play Willy’s songs with a brand of reckless abandon and utter humility that spits in the face of pretense. The way The Fellership plays Will’s songs is the way they demand to be played and, in their short time together, they have been awe-ing every audience lucky enough to see them.
THE GREAT WESTERN HANGOVER
The ten-song LP features a sample-size blend of Willy’s musical influences like Tom Petty-esque rock anthems, riders of the storm rattling westerns, and bait’n tackle choir chants, while delivering the masterful songwriting that Taylor’s cult of underground folk followers devour. The Great Western Hangover features other talents like Anna Tivel, Jeffrey Martin, The Rainbow Girls, and members of Fruition, and TK & the Holy Know-Nothings.
“Willy is a storyteller’s storyteller and weaved a spell during the evening made of stories of his relatives…Can I really be blamed for leaving the concert with a picture in my head of Gandalf riding a moped, waving his sword, beard in the wind?” No Depressionthey are ‘supposed to be’.
On A Golden Shore - their fifth album and their second for the pioneering Loose Music, following 2022’s Hollow Heart - finds them definitively themselves and presents a set of disparate songs whose fundamental linkage is the band that made them. It was recorded at Edwyn Collins’ Clashnarrow Studios with Sean Read producing. Singer/guitarist Richard Olson, drummer Paulie Cobra, multi-instrumentalist Patrick Ralla, plus freshman bassist Paul Milne – laid down the album’s backbone over eight days and mostly recorded live, even the solos done as a piece. Much is first-take because trying better, never worked as well. Pedal-steel player Joe Harvey-Whyte created and added his parts at his London studio bringing ‘shimmery psychedelic goodness’.
It is ultimately an album of sensation as much as thought, filled with fleeting moments of blissful excess, and stumbling, rushing flutters of sound; its evanescent psychedelia, divine choruses, and shards of strings combine into an infectious, compelling Cosmic Heartbreak Boogie.
SUPPORT: TBC