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THE DELINES (USA) + PETER BRUNTNELL
Plus Support Peter Bruntnell
Mon 4 November 2019
18.5 Adv


PLEASE NOTE THIS SHOW IS AT: NOTTINGHAM: Metronome Marco Island, Huntingdon Street Nottingham. NG1 1AP

PORTLAND, Oregon — Sometimes, fate’s just a damned cruel thing. But when it nearly capsizes the career of an acclaimed band in the blink of an eye, the band’s only prudent choice is to hang in there until the ship is ready to sail again. That’s what The Delines did while supporting the recovery of lead singer Amy Boone, who underwent three years of treatment and rehab after both her legs were severely broken when she was hit by a car in Austin, Texas. What sustained their spirit, according to guitarist and songwriter Willy Vlautin, was knowing they already had most of their sophomore album, The Imperial, in the can.

The band finally released The Imperial on January 11th 2019 via Décor Records. It went straight in at number 1 where it stayed for two weeks and a further two in the top 4, the entire UK and Irish tour sold out and the press and radio loved it. It picked up where they left off following their stellar 2014 debut, Colfax. Like that album, The Imperial features Damnations, TX co-founder Boone evoking a beat-up Dusty Springfield or a weary Rickie Lee Jones on 10 tracks penned by Vlautin, who is also lead singer/songwriter for Richmond Fontaine whom broke up in 2016 and an acclaimed novelist (two of his books have become major films).

Equally adept at sounding broken-hearted and optimistic, weary and resilient, Boone conveys Vlautin’s characters in a voice that’s grittier than Bobbie Gentry’s and more lonesome than Sammi Smith’s, and steeped in the soul-ballad tradition. It’s the voice Vlautin fell in love with when he first heard it during a tour Richmond Fontaine did with Damnations, TX, the band Boone had formed with her sister, Deborah Kelly.

Portland’s Freddy Trujillo signed on to play bass. Sean Oldham ex of Richmond Fontaine on drums, multi-instrumentalist Cory Gray stepped in to round out the band’s cinematic, late-night country-soul sound with keyboard and trumpet.

www.thedelines.com
https://www.peterbruntnell.net/



ERIN RAE (USA) + Support
Plus Support
Sun 10 November 2019
12 Adv


THIS SHOW IS AT: THE RUNNING HORSE, 16 Alfreton Rd, Nottingham NG7 3NG Doors open at 7.30pm www.runinghorsenottingham.co.uk

Gifted with a unique ability to fuse musical genres and influences to craft songs that feel fresh and wholly her own, with her new album Putting On Airs, Erin Rae has thrown down a direct challenge to the stereotype of what a Southern singer should be. Both lyrically and sonically, she strikes a fiercely independent chord, proudly releasing a deeply personal record that reflects her own upbringing in Tennessee, including the prejudices and injustices that she witnessed as a child that continue to impact her life to this day.

Buoying the release is Rae’s reputation as an enthralling live performer, which has earned her the respect of Nashville peers and music notables alike, including Grammy Award winner John Paul White, who has signed her to his Florence, Alabama-based label Single Lock Records. Rae joins a Single Lock roster that includes Nicole Atkins, St. Paul And The Broken Bones, and White himself.

Recorded in the dead of winter at The Refuge, a historic former Franciscan monastery-turned-creative space on Wisconsin’s Fox River, the isolated environment created the perfect setting for Erin and her band mates to track these genre-busting songs, using the chapel and other unique spaces within the cavernous building to explore new sonic boundaries, all while continuing to showcase Erin’s trademark vocals and song-serving restraint first heard on her critically-acclaimed 2015 debut album, Soon Enough.

www.erinraemusic.com/



EILEN JEWELL BAND (USA)
Plus Support
Wed 4 December 2019
The Glee Club 17 Adv


“Inspired by modern-day sexism and inequality, “79 Cents (The Meow Song)” blends satire with scathing indictments. The song’s mix of gypsy jazz and old-timey folk music goes down easy, but it’s Jewell’s clever writing — particularly her final verse, where she references President Trump’s comments about grabbing women’s genitals — that delivers the knockout blow, adding substance to a song that’s also rich in old-world style.” Rolling Stone Country

As the reigning Queen of the Minor Key, Jewell leads a tight quartet that blends influences of surf-noir, early blues, classic country, folk, and 1960s era rock ’n’ roll. For well over a decade, they’ve toured relentlessly for legions of fans from Boston to Boise and Madrid to Melbourne, playing large festivals, theatres, rock clubs, and coffeehouses. The group has shared stages with the likes of Lucinda Williams, Loretta Lynn, Mavis Staples, Wanda Jackson, George Jones, Emmylou Harris, and Blind Boys of Alabama. Eilen’s fans have marvelled at her warmth and onstage humour alongside her beautiful songs and fiery performances. In addition to six of her own full-length albums, Jewell has released two albums with her country-gospel side-project, the Sacred Shakers; a tribute album to Loretta Lynn titled ‘Butcher Holler’; and a recent album of rare blues covers, ‘Down Hearted Blues’.

American Songwriter magazine describes the Bose, Idaho native Eilen Jewell as “one of America’s most intriguing, creative and idiosyncratic voices.” That singular voice springs forth from a woman of more than one mind, and she taps into many of them on ‘Gypsy’, her latest album released on Signature Sounds. By turns personal and political, pissed off and blissed out, Jewell’s first album of original material since 2015 expands brief moments of joy into lifetimes, and distils epic sentiments and persistent doubts into succinct songs. Yet rather than pulling artist and listener this way and that, the tensions within and between these 12 tracks propel her eighth studio album forward as a remarkably cohesive full-length.

“At the core of Jewell’s eighth studio album is a set of self-penned cosmic-country songs on which the singer addresses both the personal and the political, her smoky voice and back in band in killer form throughout.” Mojo

www.eilenjewell.com/



An Evening With SAM BAKER (USA) - No support
Plus Support
Sun 2 February 2020
16 Adv


THIS SHOW IS AT:THE OLD COLD STORE / ( entrance through the Vat and Fiddle pub). 12 Queensbridge Road, Nottingham NG2 1NB

An Evening With Sam Baker celebrating the 15th Anniversary of 'Mercy'

“With a sound both soaring and sad, the Texas-based Baker sings in a raspy talk-whisper that makes you stop what you're doing, sit down and listen”.

Sam Baker makes people happy. The characters in his songs face many challenges - alcoholism, car wrecks, racism, drug addiction, a mother's abandonment - but they persevere. Much like Sam himself.

In 1986 Sam got in the middle of someone else's war. When a terrorist bomb exploded in his train compartment, he went from being a young, healthy, tourist enjoying Peru with friends to a broken man surrounded by death and dying. Given his injuries, he too should have died. But through a series of miracles and coincidences he survived. There were lots of surgeries, and the requisite pain pills. His leg was saved by a successful femoral arterial graft. When the cranial bleed in his brain healed, he had to relearn nouns, and after his right eardrum was replaced, he regained some hearing. With the top of his left hand gone, it seemed that his formerly skilful hands had been transformed into blocks of wood, but eventually those hands learned how to play an upside-down guitar.

Physically, Sam was recovering, but his life was filled with pills, booze,and rage. Then came the voices and messengers that helped him see that the greatest gift is life itself. He learned about forgiveness. He needed to tell his story. Songs started to come from that upside-down guitar. Before he knew it, there were CDs, tours around the world, an interview with Terry Gross, and awards in Rolling Stone. Sam feels compelled to tell his story - through his music, art, or any means possible - to one person at a time, or to thousands from a festival stage.

A Sam Baker show is a celebration. Some songs tell of everyday people who survive life's daily challenges; others are stories of growing up in a small Texas prairie town. All his shows are an acknowledgement and appreciation of the pure joy that comes with people gathering to listen to live music. Sam's fans travel to see him, often driving hours to experience the powerful performance. After the show, they tell Sam their stories. At the end of the day, we all go in peace.

“In some ways, more a poet than a musician, Baker paints vivid pictures with often simple phrases. Baker somehow simultaneously sounds both tough as nails and fragile as glass”… Peter Blackstock,

https://www.sambakermusic.com/



JESSE MALIN (USA) + Support
Plus Support
Sun 1 March 2020
16 Adv


THIS SHOW IS AT:THE OLD COLD STORE / ( entrance through the Vat and Fiddle pub). 12 Queensbridge Road, Nottingham NG2 1NB

Jesse Malin — whom the London Times says “writes vivid songs with killer tunes and sings them with scary conviction” — and Lucinda Williams — the southern troubadour once named “America’s best songwriter” by Time magazine — first met in the early 2000s at a jazz club in NYC’s West Village. In a joint 2017 Rolling Stone interview, the two discussed their “shared love of miscreants, misfits, the misunderstood and the mysteries of everyday lives binds them across the Mason-Dixon line.”

"From the early frontier days of hardcore in New York to all the punk rock and singer/songwriter touring, it's all been about survival and reinvention, about finding a way to get through. I wanted to make an open sounding record with the space to tell these stories. I like to write about characters and people I meet along the way. The dreamers, schemers, hustlers, romantics, lovers, leavers and believers."

Sunset Kids first took shape at The Hollywood Bowl when Jesse accepted Lucinda Williams' invite to see her open what turned out to be the final concert by Tom Petty And The Heartbreakers. During that same L.A. visit, the idea of Lucinda taking the producer's chair on Jesse's next record came about. After reflecting on his life while walking the streets of London, jamming riffs in an East Side basement, and writing songs in Florida hotel rooms while visiting his ailing father, the ambitious 14-song album was recorded on both coasts between the artists' touring schedules. "playing music is something I need to do. Singing under those hot lights every night is true exorcism. We get to put together this pirate ship of characters and go around the world making trouble."

www.jessemalin.com