Mary returns to Nottingham following up on her 2024 sold out show
Drag queens in limousines, nuns in blue jeans, dreamers with big dreams, they all took me in.” – “Drag Queens in Limousines,” Mary Gauthier
What out lesbian moves to Nashville at 40 to start a troubadour career? Who goes from playing open mics to playing the Newport Folk Festival in one years’ time?
It’s been 25 years since Mary Gauthier, now revered songwriter, released her groundbreaking debut album Drag Queens in Limousines. Eighteen months after this record was released, the response was so incredible that she hung up her chef’s coat, moved to Nashville, and started to make her mark as an exciting new voice in the songwriting world.
“Drag Queens in Limousines” is an anthem for anyone who has ever felt like an outsider. It turns out, that’s all of us. For twenty-five years, Mary Gauthier has brought all kinds of folks from all walks of life together with her deeply personal, yet paradoxically universal work.
By writing about what matters most to her, having the courage to sing what’s often too hard for us to say, and delivering the work authentically, Mary Gauthier opened the gate and widened the path that many who came after her have travelled.
Join us in celebrating twenty-five years of the unique, courageous songs of Mary Gauthier.
Special Guest JAIMEE HARRIS
JAIMEE HARRIS -Jaimee Harris’s sophomore effort Boomerang Town marks a bold step forward for this country-folk-leaning singer-songwriter. It is an arresting, ambitious song-cycle that explores the generational arc of family, the stranglehold of addiction, and the fragile ties that bind us together as Americans.
Harris began cultivating Boomerang Town in 2016, a time of great loss for many in the Americana community, with the songwriter losing several musicians close to her. A shift in the nation’s political landscape had ushered in a new level of cultural polarization and for someone who grew up in a small town outside of Waco, Texas, Harris believed the values instilled by her parents were not entirely in line with how many were viewing, and vilifying, Christians.
As a person in recovery, Harris has had to re-evaluate her own connection to faith and find strength in a higher power. It was from the intersection of these social, personal, and political currents that the album was born. While themes of addiction and grief permeate sections of the record, it echoes hope in the face of the darkness. Broomerang Town understands that love and grief are two sides of the same coin.